I mentioned earlier Virginia is a sculptor, but I hadn't realized her interest in art extended beyond that. One of Virginia's side interests is how magic influences art. In fact, she's something of an art historian when it comes to magic-related artwork.
As we talked over coffee at the Super Perk near the Steel Canyon yellow line, she told me when we first met, my amulet, the Amulet of Tal'ythar, sparked an old memory. It took her a while to pinpoint where she had seen it before, but she had finally remembered seeing it in a painting a few years back. She described the painting as being very dark, showing a powerful sorceress surrounded by minions of darkness. She didn't recall much else about the painting, but she said it had been hanging in the Rengrave Museum in Talos Island. She said she was good friends with a docent at that museum and she'd be happy to arrange a meeting.
A couple of evenings later, Virginia introduced me to Randy Ulstrom over drinks at Club Azure in Talos. Randy is a short bookish young man - I'd say in his early twenties. Randy had stringy black hair, which really wasn't becoming at the length he kept it, and a sharply pointed nose supporting a pair of spectacles. Looks aside, he seemed like a very nice person. Upon being introduced to Randy as a magical practitioner, Randy immediate dove into alternatingly peppering me with questions and firing off anecdotes about spells he had been researching.
Virginia watched from the sidelines with a bemused expression for a few minutes before she dove into the conversation to wrest control.
"I'm sure Kate would love to hear more about the Lesser and Greater Incantations for instilling various qualities of water in different types of dirt, but we were hoping you could tell us more about the painting."
Randy stopped for second, looking a bit hurt, but quickly recovered. "Oh, yes, Virginia, I nearly forgot!" He brushed a strand of hair from his glasses. "The painting you remember is called The Seventh Banishing of Baphomet. Its about five hundred years old. It clearly represents a woman in the act of closing a magical portal from which are flowing hordes of spectral demons and behemoths. Oddly enough, Baphomet does not appear to be shown in the painting. I did some quick research and the identity of the sorceress is not known for certain, but there's some speculation she may have been Paragon's Guardian of the Tenth Circle around that time."
Randy took a sip of his water. "It was painted by a master, you know. I'm sure you've both heard of Albert Hume?"
Virginia nodded while I tried to hide my ignorance by eating one of my martini olives. Randy gave me a distracted look and continued.
"Hume was commissioned to paint the piece by Victor Malchus, a very wealthy practitioner of the magical arts who also lived at that time."
I tried not to spit out the olive at the mention of my grandfather's name, but I couldn't fully stifle a small cough. Randy turned to look at me again before starting to rummage through the small leather briefcase he had brought.
"The Malchus family, of course, is well-known in Paragon city as being one of the top magical families among the Guardians. While the exact identities of the Guardians are a well-kept secret, its probably safe to assume Victor Malchus knew the woman in the painting."
Randy extracted a glossy piece of paper from his briefcase and handed it to Virginia, putting his briefcase back under his chair . "I took the liberty of printing off a color copy of the painting from our archive."
Virginia examined the painting while Randy continued.
"One thing I find most interesting about the painting is there are three artifacts clearly represented in it; an amulet, a ring, and an earring. The way they are so prominently displayed makes it impossible to assume they are anything but magical."
Virginia handed the photo to me.
The sorceress in the painting stood to one side, arms raised. A ring on her right hand glowed with a reddish hue, while an earring on her left ear glowed with a bluish hue. What was even more striking were the auras that surrounded her.
Two of them were recognizable to me as the First and Second Circles of protection I could activate with the aura. The First Circle had the same characteristic purple-pink hue and the Second Circle was represented by a series of bands of white light surrounding the sorceress. I was struck, however, but another aura I had never seen before, that also surrounded the sorceress.
This third aura was similar in color to the First Circle aura, but where the First Circle simply shrouds its invoker, this aura projected rays of purple-pink energy from the sorceress. Was this the Third Circle power of the amulet?
A sharp kick from Virginia brought me back to the conversation. Randy was still talking about the painting.
"... after Eric Rengrave obtained the painting from an auction in Founders Falls about seven years ago."
Virginia leaned in towards him. "You're a dear for helping me out with this, Randy. One more thing, how might I go about finding more about the painting?"
Randy furrowed his brows. "Well, I tried to access the museum database records on the painting, but aside from a brief summary of the work, the detailed records were locked. My access level is pretty high, so I suppose you'd have to talk to Mr. Rengrave to find out more."
Virginia picked up her purse and smiled. "Its been ages since I spoke with Eric."
Randy looked startled.
"Well, we really need to go Randy, thanks again. I can keep the photo, right?" Virginia asked, dropping $60 on the table and plucking the picture from my hands.
"Well ... of course," Randy stammered.
I muttered a quick goodbye to Randy and quickly followed Virginia out the door of the club.
"It sounds like we might have uncovered an interesting story behind that little trinket of yours, Kate. Now, let's go somewhere fun. Oh and don't let Randy's meek demeanor fool you ... did I tell you he's a member of the Circle of Thorns?" Virginia smiled sharply at me before turning to hail a cab.